They well-nigh now had pass’d the bounds of night, And just approach’d the margin of the light, When he, mistrusting lest her steps might stray, And gladsome of the glympse of dawning day, His longing eyes, impatient, backward cast To catch a lover’s look, but look’d his last; For, instant dying, she again descends, While he to empty air his arms extends. 
- Ovid, Metamorphoses X: ‘The Story of Orpheus and Eurydice’ (extract)
(Image: ‘Orpheus and Eurydice’ by George Frederick Watts)

They well-nigh now had pass’d the bounds of night, 
And just approach’d the margin of the light, 
When he, mistrusting lest her steps might stray, 
And gladsome of the glympse of dawning day, 
His longing eyes, impatient, backward cast 
To catch a lover’s look, but look’d his last; 
For, instant dying, she again descends, 
While he to empty air his arms extends. 

- Ovid, Metamorphoses X: ‘The Story of Orpheus and Eurydice’ (extract)

(Image: ‘Orpheus and Eurydice’ by George Frederick Watts)

21 Notes

Iseult of Brittany

So delicate my hands, and long,
They might have been my pride.
And there were those to make them song
Who for their touch had died.

Too frail to cup a heart within,
Too soft to hold the free-
How long these lovely hands have been
A bitterness to me!

- Dorothy Parker

9 Notes

I wonder, by my troth, what thou and IDid, till we loved; were we not weaned till then,But sucked on country pleasures, childishly?Or snorted we in the Seven Sleepers’ den?‘Twas so; but this, all pleasures fancies be.If ever any beauty I did see,Which I desired, and got, ‘twas but a dream of thee.And now good morrow to our waking souls,Which watch not one another out of fear;For love, all love of other sights controls,And makes one little room, an everywhere.Let sead discoveries to new worlds have gone,Let maps to others, worlds on worlds have shown,Let us possess our world; each hath one and is one.My face in thine eye, thine in mine appears,And true plain hearts do in the faces rest;Where can we find two better hemispheres,Without sharp North, without declining West?Whatever dies, was not mixed equally;If our two loves be one; or thou and ILove so alike that none do slacken, none can die.
- John Donne, Good Morrow
(Image: ‘Tristan and Isolde with the Potion’ by John William Waterhouse)

I wonder, by my troth, what thou and I
Did, till we loved; were we not weaned till then,
But sucked on country pleasures, childishly?
Or snorted we in the Seven Sleepers’ den?
‘Twas so; but this, all pleasures fancies be.
If ever any beauty I did see,
Which I desired, and got, ‘twas but a dream of thee.

And now good morrow to our waking souls,
Which watch not one another out of fear;
For love, all love of other sights controls,
And makes one little room, an everywhere.
Let sead discoveries to new worlds have gone,
Let maps to others, worlds on worlds have shown,
Let us possess our world; each hath one and is one.

My face in thine eye, thine in mine appears,
And true plain hearts do in the faces rest;
Where can we find two better hemispheres,
Without sharp North, without declining West?
Whatever dies, was not mixed equally;
If our two loves be one; or thou and I
Love so alike that none do slacken, none can die.

- John Donne, Good Morrow

(Image: ‘Tristan and Isolde with the Potion’ by John William Waterhouse)

16 Notes

‘Stitching the Standard’ by Edmund Blair Leighton

‘Stitching the Standard’ by Edmund Blair Leighton

32 Notes

“When I have tried and failed, I shall have failed.” - Antigone (Sophocles’ Antigone)
(Image: ‘Antigone’ by Lord Frederick Leighton)

“When I have tried and failed, I shall have failed.” - Antigone (Sophocles’ Antigone)

(Image: ‘Antigone’ by Lord Frederick Leighton)

10 Notes

The Voyage of Life: Childhood, Youth, Manhood, Old Age by Thomas Cole

7 Notes

Hear us, in what sharp need we cry!For we have help nowhereIf not in you!Pity can much, and so a mighty mind, but cannot all things do!—By you forsaken,We shall be scattered, we shall be overtaken!Oh, come! Renew in us the ancient wonder,The grace of life, its courage, and its joy!Weave us those garlands nothing can destroy!Come! with your radiant eyes! — with your throats of thunder! 
- Edna St Vincent Millay, Invocation to the Muses (extract)
(Image: ‘Invocation’ by Lord Frederick Leighton)

Hear us, in what sharp need we cry!
For we have help nowhere
If not in you!
Pity can much, and so a mighty mind, but cannot all things do!—
By you forsaken,
We shall be scattered, we shall be overtaken!
Oh, come! Renew in us the ancient wonder,
The grace of life, its courage, and its joy!
Weave us those garlands nothing can destroy!
Come! with your radiant eyes! — with your throats of thunder! 

- Edna St Vincent Millay, Invocation to the Muses (extract)

(Image: ‘Invocation’ by Lord Frederick Leighton)

24 Notes


“Prophet!” said I, “thing of evil—prophet still, if bird or devil! By that heaven that bends above us—by that God we both adore— Tell this soul with sorrow laden, if, within the distant Aidenn, It shall clasp a sainted maiden, whom the angels name Lenore— Clasp a rare and radiant maiden, whom the angels name Lenore?” Quoth the raven, “Nevermore.”
- Edgar Allan Poe, The Raven (extract)
(Image: ‘The Raven’ Steel Engraving #21 by Gustave Doré)

“Prophet!” said I, “thing of evil—prophet still, if bird or devil!
By that heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden, if, within the distant Aidenn,
It shall clasp a sainted maiden, whom the angels name Lenore—
Clasp a rare and radiant maiden, whom the angels name Lenore?”
Quoth the raven, “Nevermore.”

- Edgar Allan Poe, The Raven (extract)

(Image: ‘The Raven’ Steel Engraving #21 by Gustave Doré)

53 Notes

‘A Pompeian Lady’ by John William Godward

‘A Pompeian Lady’ by John William Godward

11 Notes

One more Unfortunate, Weary of breath, Rashly importunate, Gone to her death! Take her up tenderly, Lift her with care; Fashion’d so slenderly Young, and so fair! Look at her garments Clinging like cerements; Whilst the wave constantly Drips from her clothing; Take her up instantly, Loving, not loathing. Touch her not scornfully; Think of her mournfully, Gently and humanly; Not of the stains of her, All that remains of her Now is pure womanly. 
- Thomas Hood, The Bridge of Sighs (extract)
(Image: ‘Ophelia’ by John Everett Millais)

One more Unfortunate, 
Weary of breath, 
Rashly importunate, 
Gone to her death! 

Take her up tenderly, 
Lift her with care; 
Fashion’d so slenderly 
Young, and so fair! 

Look at her garments 
Clinging like cerements; 
Whilst the wave constantly 
Drips from her clothing; 
Take her up instantly, 
Loving, not loathing. 

Touch her not scornfully; 
Think of her mournfully, 
Gently and humanly; 
Not of the stains of her, 
All that remains of her 
Now is pure womanly. 

- Thomas Hood, The Bridge of Sighs (extract)

(Image: ‘Ophelia’ by John Everett Millais)

28 Notes

Silence

There is a silence where hath been no sound,
There is a silence where no sound may be,
In the cold grave—under the deep, deep sea,
Or in wide desert where no life is found,
Which hath been mute, and still must sleep profound;
No voice is hush’d—no life treads silently,
But clouds and cloudy shadows wander free,
That never spoke, over the idle ground:
But in green ruins, in the desolate walls
Of antique palaces, where Man hath been,
Though the dun fox or wild hyæna calls,
And owls, that flit continually between,
Shriek to the echo, and the low winds moan—
There the true Silence is, self-conscious and alone.

- Thomas Hood

1 Notes

I remember, I remember
The fir-trees dark and high;
I used to think their slender tops
Were close against the sky:
It was a childish ignorance,
But now ‘tis little joy
To know I’m farther off from Heaven
Than when I was a boy.
— Thomas Hood, I Remember, I Remember

But, ah! what use of valor can be made, When heav’n’s propitious pow’rs refuse their aid! Behold the royal prophetess, the fair Cassandra, dragg’d by her dishevel’d hair, Whom not Minerva’s shrine, nor sacred bands, In safety could protect from sacrilegious hands: On heav’n she cast her eyes, she sigh’d, she cried- ‘T was all she could- her tender arms were tied. So sad a sight Coroebus could not bear; But, fir’d with rage, distracted with despair, Amid the barb’rous ravishers he flew: Our leader’s rash example we pursue. 
- Virgil’s Aeneid, Book II
(Image: ‘Ajax and Cassandra’ by Solomon Joseph Solomon)

But, ah! what use of valor can be made, 
When heav’n’s propitious pow’rs refuse their aid! 
Behold the royal prophetess, the fair 
Cassandra, dragg’d by her dishevel’d hair, 
Whom not Minerva’s shrine, nor sacred bands, 
In safety could protect from sacrilegious hands: 
On heav’n she cast her eyes, she sigh’d, she cried- 
‘T was all she could- her tender arms were tied. 
So sad a sight Coroebus could not bear; 
But, fir’d with rage, distracted with despair, 
Amid the barb’rous ravishers he flew: 
Our leader’s rash example we pursue. 

- Virgil’s Aeneid, Book II

(Image: ‘Ajax and Cassandra’ by Solomon Joseph Solomon)

1612 Notes

‘Mariamne Leaving Judgement Seat of Herod’ by John William Waterhouse

‘Mariamne Leaving Judgement Seat of Herod’ by John William Waterhouse

24 Notes

Cast me upon some naked shore
Where I may tracke
Onely the print of some sad wracke;
If thou be there, though the seas roare,
I shall no gentler calme implore.
— William Habington, Castara: III

3 Notes